Untitled (archival fragment), Taipei, 2026
Roots Without a Name
2026 - ongoing
No you. Destiny, Shane, Houston, Texas, 2024
Erosion
2024
Flame Towers (scale model), Heydar Aliyev Center, Baku, 2022
Spectacle
2022
Rehearsal for 9th of May Victory Day Parade, Kaliningrad, Russia, 2019
Identity Negotiation
2019
Untitled (surface scan), Taipei, 2026
Roots Without a Name
2026 - ongoing
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Richard, Milwaukee, Wisconsin, 2024
Erosion
2024
Unfinished concert hall (3D print), Tbilisi, Georgia, 2022
Spectacle
2022
Dom Sovetov, Kaliningrad, Russia, 2019
Identity Negotiation
2019
施坤芳/Meggie, Taipei, 2026
Roots Without a Name
2026 - ongoing
Succession, Grand Junction, Colorado, 2024
Erosion
2024
Free Misha (3D scan), Anaklia, Georgia, 2022
Spectacle
2022
Kristen, Kaliningrad, Russia, 2019
Identity Negotiation
2019
Weathering, Moab, Utah, 2024
Erosion
2024
Horse fountain (architectural render scan), Baku, Azerbaijan, 2022
Spectacle
2022
Kanashii Sharag, Kaliningrad, Russia, 2019
Identity Negotiation
2019
Tender Machine 002 (archival fragment), 2026
Tender Machine
2026 - ongoing
Tender Machine explores how images of violence, weaponry, and masculinity circulate, aestheticise, and feel strangely seductive. Drawing from military propaganda, weapons magazines, and online imagery, the project examines how systems of power are not only represented but also desired and consumed. Rather than documenting violence itself, it investigates the visual languages that make militarisation appear aspirational and intimate, asking how images shape our relationship to force long before violence is physically encountered.
Tender Machine 005 (archival fragment), 2026
Tender Machine
2026 - ongoing
Tender Machine explores how images of violence, weaponry, and masculinity circulate, aestheticise, and feel strangely seductive. Drawing from military propaganda, weapons magazines, and online imagery, the project examines how systems of power are not only represented but also desired and consumed. Rather than documenting violence itself, it investigates the visual languages that make militarisation appear aspirational and intimate, asking how images shape our relationship to force long before violence is physically encountered.
UNCLASSIFIED 001 (inkjet print on tracing paper), 2026
UNCLASSIFIED
2026 - ongoing
UNCLASSIFIED works with publicly released military imagery printed on unstable materials such as mirror foil and tracing paper. Images produced as evidence are displaced onto surfaces that resist fixed interpretation, exposing the tension between visibility and opacity. The project examines how state-produced imagery performs transparency while simultaneously foreclosing verification, questioning the authority and legibility of procedural images.
The Big Bang (single-channel video), 2026
Tender Machine
2026 - ongoing
Tender Machine explores how images of violence, weaponry, and masculinity circulate, aestheticise, and feel strangely seductive. Drawing from military propaganda, weapons magazines, and online imagery, the project examines how systems of power are not only represented but also desired and consumed. Rather than documenting violence itself, it investigates the visual languages that make militarisation appear aspirational and intimate, asking how images shape our relationship to force long before violence is physically encountered.
Untitled (text fragment), written by Jarred Picket, Rapid City, 2024
Erosion
2025
Erosion
self-published by Lukas van Bentum
2025
UNCLASSIFIED 003 (inkjet print on tracing paper), 2026
UNCLASSIFIED
2026 - ongoing
UNCLASSIFIED works with publicly released military imagery printed on unstable materials such as mirror foil and tracing paper. Images produced as evidence are displaced onto surfaces that resist fixed interpretation, exposing the tension between visibility and opacity. The project examines how state-produced imagery performs transparency while simultaneously foreclosing verification, questioning the authority and legibility of procedural images.
Tender Machine 005 (archival fragment), 2026
Tender Machine
2026 - ongoingTender Machine explores how images of violence, weaponry, and masculinity circulate, aestheticise, and feel strangely seductive. Drawing from military propaganda, weapons magazines, and online imagery, the project examines how systems of power are not only represented but also desired and consumed. Rather than documenting violence itself, it investigates the visual languages that make militarisation appear aspirational and intimate, asking how images shape our relationship to force long before violence is physically encountered.
(Un)broken, Zwarte Zaal, KASK, 2022
Spectacle
group exhibition
Mimosa Savage (aluminium offset printing plate), Omaha, Nebraska, 2025
Erosion
2024
The March (3D printed archival scan), 2023
The March
2023
guteaussichten - new German photography, Deichtorhallen Hamburg, 2020
Identity Negotiation
group exhibition